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Special Topics in British Literature: From Classic to Modern
56:606:501:01 (#47992)
Cross-listed with 56:350:594:01
Professor Barbarese
Monday 6:00-8:40
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Readings
in classical and modern literature stressing the continuities and
discontinuities in the Western narrative tradition, stressing changes
in the portrayal of heroism. The course will begin with a reading of
ancient narrative and continue into the postmodern period and include
works by Homer, Shakespeare, Woolf, Hemingway, and others. Papers,
possibly a mid-term, and a final examination. |
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Greek Art
56:606:502:01 (#50391)
Cross-listed with 50:082:342:01
Professor Jones
Tuesday-Thursday 9:30-10:50 a.m.
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This
courses explores the art of ancient Greece from the Bronze Age through
the Hellenistic period. The focus is on the art of the sixth and fifth
centuries BC-the golden age of Greece. |
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Shakespeare
56:606:511 (#48554)
Cross-listed with 56:350:545:01
Professor Fitter
Wednesday 6:00-8:40pm |
Historians
are coming to recognize that the 1590s, with its disastrous wars,
catastrophic harvests, spiraling inflation, and economic dislocation,
was one of the harshest decades in English history; and the first
decade under the new Scots king was but slightly improved. In
these conditions, Shakespeare rejected the possibility of life as a
poet under aristocratic patronage to write for the popular theater,
which paradoxically was thriving in the margins of a nervously
authoritarian society. Defining his dramatic meanings in terms of
stage, not page, this course will seek to discover how Shakespeare
outwitted the censor through the potentialities of a distinctively late
Elizabethan stagecraft. Each student will be asked to choose one play
and think it through in historicized terms. Grades will be determined
on the basis of an in-class presentation, and one fifteen-to-twenty
page term paper.
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Law, Religious War, and the Rise of Political Absolutism in France 1560-1760 ---Special Liberal Studies Class
56:606:512:01(#53914)
Professor Soll
Tuesday 6:00-8:40pm |
| This course examines the rise of the French state during a period of religious strife and civil war. It examines how French kings and ministers--from Henri IV, Richelieu, Mazarin, Colbert and Louis XIV--worked to centralize the state and crush their enemies. In it, we will examine the philosophy and the legal framework of how to build a state as well as the methods of politics, war and diplomacy. Students will read classic texts of politics, as well as the personal letters and administrative papers of French statesmen and women to understand the mechanics of how politics work at a key moment in human history. |
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Victorian Literature
56:606:521:01(#48829)
Cross-listed with 56:350:571:01
Professor Fiske
Tuesday 6:00-8:40pm |
This course covers British poetry and non-fiction prose during the
Victorian age (1837-1901). In this first half-century of
industrialism, rapid shifts in England ’s social structure, the nations
quest for material gains, and the expansion of scientific knowledge
prompted many poets and essayists to reassess fundamental cultural
values. We will explore the dialogues and arguments between and
among poets and cultural critics, liberals and conservatives,
scientists and humanists, men and women. Our authors include
Tennyson, Elizabeth Barrett and Robert Browning, Dante Gabriel and
Christina Rossetti, Emily Brontë, Swinburne, Florence Nightingale,
Hardy, Pater, Carlyle, Newman, Ruskin, Mill, and Engels. Course
requirements include an oral presentation, several short assignments, a
mid-term paper, and a final research paper. |
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World Literature in English
Horror, Guilt, Responsibility: German Literature from 1945 to the Present.
56:606:531:01(#49272)
Cross-listed
with
56:350:529:01
Professor Dougherty
Wednesday 6:00-8:40 |
This
course focuses on the former East and West Germany from the years after
World War II to the present. The totally different political and
economic structures of East and West Germany – one a democracy, the
other a dictatorship – gave rise to two different forms of literature
that can be understood only against the backdrop of ideological
differences and different perceptions of the Holocaust and World War
II. This course will explore themes such as guilt, repression, public
debate, new beginnings, different ideologies, the role of the
individual in a democratic society, and the pressures of uniformity in
a dictatorship. Attention will be paid to authors like Wolfgang
Borchert, Heinrich Böll, Bernhard Schlink, Uwe Timm, Paul Celan,
Bertolt Brecht, Christa Wolf, Peter Schneider. A short individual
presentation and a research paper will be required.
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European Painting 1880-1940
56:606:531:02 (#54209)
Cross-listed with 50:082:352:01
Professor Rosenberg
Tuesday-Thursday 1:30-2:50 p.m.
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| This
course is an analysis of a wide range of avant-garde movements from
post-impressionism to surrealism. Emphsis is on the signifcant trends
in art in France, Italy, Holland, and Russia |
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Contemporary American Fiction
56:606:531:01
Cross-listed with 56:352:594:01
Professor Zeidner
Thursday 6:00-8:40pm |
| A
survey of important authors and trends in American fiction
since the 1950s. Novelists include Updike, Nabokov,
Vonnegut, Pynchon, DeLillo, and Morrison. We'll pay
particular attention to the postmodern short story--Barth, Barthelme,
Coover, Saunders, Moore . Two short response papers and one longer
critical paper. |
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20th Century Art
56:606:531:03 (#54249)
Cross-listed with 50:082:368:01
Professor Tarbell
Wednesday 1:30-4:00 p.m. |
| This
course is the study of major art movements in the United States, from
academic classicism to contemporary styles and theories. Topics may
vary. |
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Photographing South Africa with Trip South Africa
56:606:541:02 (#54270)
Cross-listed 50:080:484:04 and 50:082:492:03
Professor Hohing |
This
course will focus on basic camera operation and photographic techniques
for portraiture, landscape, and wildlife photography. Students are
required to attend pre and post trip seminars to be scheduled in early
spring. Locations in South Africa include Johannesburg , Cape Town ,
Soweto , and open-air wildlife preserves. Contact instructor or the
International Studies Office for a full itinerary.
Grade credit can be earned through participation in the group photography project "Messages to America ,"
which investigates societal issues and international perceptions
through portraiture and sociological data collection. Student-proposed
projects must be approved by the appropriate academic department and
the instructor.
No pre-requisite or prior photographic knowledge is required. Students must supply their own camera equipment.
Estimated price: $2995; $1000 deposit by December 8, additional $1000 by January 15, balance by February 24 |
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Cross-Cultural Development and Mental Health
(Six 2.5 hour classes followed by trip to Japan during spring break)
56:606:542:01
Cross-listed with 50:830:458:40
Professors Marmorstein & Duffy |
In
this class, we will discuss how culture influences development and
mental health. We will consider the traditional perspective of
developmental psychology and consider how understanding culture helps
us better account for cultural variability in psychological
processes. As we think about these processes, we will discuss how
they relate to psychological symptoms and disordersboth how they are
experienced and how they are viewed and treated around the world.
The class will consist of six 2 1/2 hour seminars (meeting on Friday
afternoons before spring break), a trip to Japan during spring break,
and a project to be completed independently by each student following
the trip. During the six weeks of class meetings, reading and
writing assignments will be fairly intensive to accommodate the fact
that all group academic work for the semester must take place during
that period.
Course website:
http://crab.rutgers.edu/~seduffy/Japan2007/ |
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International Studies: South African Literature
(8 weeke course with trip to South Africa over spring break)
56:606:542:02 (#54208)
Cross-listed with 56:350:505:01and 50:350:389:01
Professor Hoffman
Tuesday 6:00-8:40 p.m |
In
this course we will read work by some of the most accomplished writers
in the English language, all of whom live (or lived) in South Africa .
The history of South Africa is a violent one, but in recent years, with
the end of the racist apartheid state, a new multiracial democratic
society has emerged and the process of healing and reparation has
begun. The literature—short stories, novels, poetry, and plays—we read
will take account of this remarkable history and the diverse ethnic
population of the country, which includes (as a result of European
colonization and forced enslavement) British, Dutch, and Southeast
Asian peoples, in addition to native Africans. The course will focus on
literature of the last thirty or forty years and will include two Nobel
Prize winners, Nadine Gordimer and J. M. Coetzee, as well as Athol
Fugard, Richard Rive, Nelson Mandela, Njabulo Ndebele, Zakes Mda,
Jeremy Cronin, Zoe Wicomb, Ahmed Essop, and Agnes Sam, among others. We
will also watch several films of the post-apartheid era, including Tsotsi and Red Dust.
The course lasts eight weeks and culminates in a trip during Spring
Break to South Africa, where we will experience first-hand some of the
places we have read about, visiting world-class wineries, reading on
the beach by the Indian Ocean, and going on safari in Kruger National
Park. We will also tour several museums, meet with practicing writers,
and go to a play or two in Johannesburg . (NB: In early
January, over Winter Break, the Wilma Theater in Philadelphia will be
staging a play by Fugard that we will make plans to see together.) |
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The Red and the Black: American Indians and African Americans
56:606:541:01 (#48655)
Cross-listed 50:920:448:01
Professor Hazard Donald
Tuesday-Thursday 11:00-12:20 |
| DESCRIPTION COMING SOON |
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International Study
(
with trip to Paris and Loire Val May 2007)
56:606:613 (#49469)
Professor Rosenberg
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Description Forthcoming
Estimated price: TBA
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American Political Thought
56:606:621 (#53916)
(Cross-listed with 50:790:375:01)
Professor Tarr
Monday, Wednesday, and Friday 11:15– 12:20 p.m. |
This
course considers various thoughtful and provocative analyses of
American society and American politics, including a range of authors
with distinctive and often incompatible views on freedom, equality,
human nature, historical dynamics, and the prospects of American
society. All assigned readings in the course are from primary sources.
The course beings with a discussion of theoretical underpinnings of the
American republic, focusing on the thought of Thomas Jefferson and of The Federalist Papers. It next examines nineteenth-century understandings of American society and politics, emphasizing de Tocqueville’s Democracy in America and
the thought of Abraham Lincoln. It then turns to challenges to the
American consensus through an examination of African-American political
thought (Frederick Douglass, W. E. B. DuBois, Martin Luther King, and
Malcolm X) and radical political thought (Emma Goldman). It concludes
with a consideration of twentieth-century liberalism (Woodrow Wilson
and Franklin Delano Roosevelt) and conservatism (Ronald Reagan and
Milton Friedman).
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Research in Liberal Studies
56:606:689:01 (#47859)
Dr. S. Charme
By Arrangement |
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Research in Liberal Studies
56:606:690:01 (#47860)
Dr. S. Charme
By Arrangement |
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Matriculation Continued
56:606:800:01(#44960)
Dr. S. Charme
By Arrangement |
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If
for some reason, you cannot register for courses in Spring 2006, you
should register for Matriculation Continued. You pay only a $57 fee,
which allows you to remain a member in good standing of the Liberal
Studies Program and saves you from the trouble of being re-admitted in
the following semester.
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